Class on Demand Report Card
News, Views, and Information from COD | June 2009
And
the Winner is...
Class on Demand received some excellent news this month. We received
THREE awards for our training! Tim Kolb received a Telly award for
his Adobe CS4 Production Premium training; Steve Hullfish received
a Telly award for his AVID Media Composer training, and Sue Jenkins
was presented a Communicator award for her Adobe Illustrator title.
We congratulate our instructors on being recognized by their industry
peers. The bad news for us is these three awards mean we’ll have
to get a new display case in our lobby as we’re out of room in
the present one.
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GenArts
in the Can
Todd Prives of GenArts just completed the Sapphire training
for Class on Demand. Todd is widely recognized in the industry
as the expert on Sapphire. He joined GenArts in 2002 where
he is senior business development and marketing manager.
Todd is responsible for managing top tier accounts in the
film, broadcast and design space. Prior to GenArts Todd was
at EUE Screen Gems a New York City-based full service production
company. The title will be released at the end of July. Todd
is our featured instructor this month so you can learn more
about him by scrolling down. You can pre-order the Class
on Demand GenArts Sapphire training with Todd Prives by clicking
here - normally $199.95, you can pre-order it now for
$99.95!
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COD
in Portuguese
We’re excited to announce that our relationship with David
Oliveria and CAD Technologies has produced four Class on Demand
titles in Portuguese. CAD Technologies has just finished Portuguese
versions of our training for NewTek's
VT5 and Tricaster Studio, as well as the Adobe Creative Suite 4
Production Premium. These titles join the Portuguese version of
COD’s Final Cut Pro 6 training with Tom Wolsky. Each title
is dubbed by professional voice over talent in Portuguese and the
packaging and instructions are translated making this an ideal
product for Portuguese-speaking video professionals. These titles
are the start of COD moving more titles in to other languages – keeping
watching this space for further announcements. Bon Jour!
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COD Fusion Reactor
We’re excited to announce that we’ve just
signed David Lombardi, an Emmy award-winning special effects
artist, to produce "Complete Training for Eyeon Fusion".
David has worked for such leading effects houses as Pixel
Magic, Digital Domain, GridFx. His work can be seen in
movies, commercials, TV programming, and music videos.
His effects credits include Master and Commander, Sin City,
Star Trek, where he received two Emmy nominations, and
Enterprise, where he received an Emmy award. We announced
our relationship with Eyeon at NAB. Given the sophistication
of the software and the depth that an artist can delve
into the application we have decided to produce “Complete
Training for Eyeon Fusion” for
beginners to intermediate-level users. This will be followed
by “Advanced
Training for Eyeon Fusion” for experienced users.
We’re close to signing an agreement with another
award-winning artist for the advanced training and will
let you know the details of that instructor in a future
Report Card. David will be in the studio in July and so
we’re on track to introduce our Fusion training in
August just in time for IBC.
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Paul
Holtz Fires Up
In 1974, my dad gave my eldest brother, Steve, a cash loan to encourage him
to stop riding his motorcycle and buy a car. Dad of course wasn’t so
worried about my brother breaking his neck, as he was worried about the hospital
costs that would surely come out of his own pocket.
This would be a better investment he figured. Steve said he would only agree
if he could buy the fastest production car that Ford had made up to that point.
Dad reluctantly agreed (under pressure from my mom who considered all motorcycles
dangerous) and Steve bought a used 1969 Shelby Mustang GT500. Two years later
Steve decided fast cars were not for him, trucks were the fad and he sold the
Shelby to my Dad. Dad never drove the Shelby and neither he nor Steve spent
any money to maintain it and, although much of the car was fiberglass, the
metal parts were rusting badly. The year was now 1977. Well I always loved
that car. It was one of the coolest cars I had ever seen. I was 19 and at the
time. I was dying to own the Shelby. I was a mechanic at the time and knew
this car deserved a better fate than a rust bucket. I would restore it myself,
I thought. After constant nagging Dad finally agreed to sell the car
to me for $4500- $1,000 more than he’d paid Steve for it!
I
was thrilled to finally have the car of my dreams. As I mentioned, I was a
trained mechanic and spent my days fixing GMC and Mack trucks at a garage in
Chicago. At night I started to restore the Shelby. I had to sell my Ford “Grand
Torino” Sport (yep just like the one in the Clint Eastwood movie) to
pay for the re-paint on the Shelby’s newly installed body panels that
I had pounded out by hand. The engine was an original Ford 427 side oiler,(
That is 7 litres for the car nuts outside of the States) one of the most famous
performance engines ever manufactured by Ford and the same engine in the famous
Le Mans winning Shelby 427 Cobra’s and Ford GT40’s. I lovingly
restored the car and after many years of work, the light green Shelby
took a place of pride in my garage.
In 1979, I had traded my mechanics job for a field maintenance
job with Xerox. Jump ahead to 1984 and the last of my Rock Bands (I play
guitar) had just broken up. We’re in a recession so I figure I’d
better work harder and not be content with just the Xerox paycheck. So I decide
to try this new form of portable entertainment called a” Disc Jockey”.
( hey remember this is 1984) Beside I aready owned a killer P.A. that would
make a great sound sytem for the D.J. business..I bought my first Disc Jockey
gear and started DJ’ing on weekends. I had a gift for entertaining a
crowd (which I used to very profitable effect as a Pinnacle demo artist years
later) and soon added more DJ systems – Christie Entertainment was born
(named after my first daughter, Christine). By 1990 Christie Entertainment
was the 2nd largest DJ business in Illinois and I decide to give up my day
job with Xerox. It got too embarrassing taking more calls for me than them.
As a trusted vendor, Christie Entertainment was constantly asked if we could
recommend someone to videotape the parties and weddings. Again we’re
in a recession, that was to last 16 months, but again we see an opportunity
and we invest in cameras and S-VHS decks and start the Wedding Video production
business. We’re
working out of my basement and Garage, doing seven or eight single and two-camera
weddings on a weekend. Turns out that people attending the weddings ran businesses,
and between the Chicken Dance, best man speeches, and the cake-cutting ceremony,
they talked to us about producing corporate videos and commercials. We learned
quickly and became successful in these markets as well.
In 1995, I was approached by Pinnacle to be a beta tester, demo artist and
evangelist for their hot new video workstation, Alladin. So started another
growth period in Christie Entertainment’s history where I found myself
travelling all over the world doing demos on Alladin, writing
a magazine called “Alladin’s Lamp” and producing and selling
transition FX packs called (sorry) HoltzFX. It was my connection with Pinnacle
and the visibility at tradeshows and events all over the world that started
the phone calls and emails about training. “Can you record yourself on
tape and send it to me? I’ll happily pay you for some of those tips you
showed me last week at the Rocky Mountain Expo…” And so, once
again seeing an opportunity, Class on Demand was born.
A
year ago, someone pointed me to an article about a company that specialized
in performance tuning Shelby’s. Why not, I think, after all, I’ve
not done anything new with the Shelby in over 30 years. Plus it turns out that
a 1969 Shelby is MUCH more valuable if the original serial numbers match between
the car and the engine. I wanted to start racing it again without worrying
about blowing up the original engine. I contacted one of the best 427 Ford
engine builders in the business and we talked about what he can do for ‘my
baby’. I decide to pull the original engine and protect it while building
another engine just like it using the best technology offered today while
keeping the same look and feel of the original engine. After almost a year
with an empty space in my garage I just took delivery of my “Eleanor” (a
reference to the coveted Shelby in Gone in 60 Seconds). Sporting a completely
new 1966 427 engine bored and stroked to displace 502 cubic inches (8.2liters)
and produce over 675 ft lbs of torque at 6,000 RPM and over 635 brake horsepower
she goes like “shit off a shovel.” (Imagine being able to lay down
100 feet of rubber in second gear at 50 miles and hour!) The engine is so powerful
we had to upgrade the fuel system, exhaust, rear end traction unit, in fact
almost everything that transferred this massive power. The new parts were all
made from high strength aluminum resulting in an engine some 400lbs lighter
than the original. So now the front end of the car sat too high and we had
to remove some of the coils to get it to sit just right. What was great is
now even better. It handles like it’s on rails and stops on a dime because
of the better weight distribution!
About the same time as the Shelby went for a makeover, we made the decision
at Class on Demand to again reinvent ourselves and finally deliver on our brand
name – we can’t wait to unveil our shiny new on-demand platform
this summer. We have also decided to extend our great brand name and award-winning
(see news item above) formula to adjacent industries – this summer will
see the launch of our IT training division with a series of titles that we
know will hit the pain points in that industry from day one.
Steve Jobs, when asked by a reporter what Apple would do in the economic downturn,
responded “Invest like crazy so we’re ready when the market comes
back.” We agree and we’ll be ready.
Featured
Instructor | Todd Prives
Home
town:
San Francisco
College attended: NYU
Pets: nope
Favorite food: sushi
Favorite musical artist: Doves
Favorite city in the world: Sydney
Likes: sunshine, gokarts, Howard Stern
Dislikes: the cold
Todd's Tip | Selective
Control
Using
Matte inputs with many plug-ins allows
you to selectively control which part of
an image gets affected with a Sapphire
plug-in. When using a Sapphire Lighting
effect using color in these mattes can
also often times drive the color of the
light generated.
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Complete
Training for GenArts Sapphire | Pre-Order
This training will get experienced After Effects and Final Cut users up to speed quickly and easity with GenArts' Sapphire suite of plug-ins. Sapphire expert, Todd Prives, will be your guide through more than 4 hours of project-focused training.
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