Course Introduction

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1.1: Overview | Introduction

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1.2: Overview | Loading Course Materials

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1.3: Overview | Starting a Project

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1.4: Overview | The Avid Interface

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1.5: Overview | Working in the Project Window

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1.6: Overview | Organizing Bins

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1.7: Overview | Creating a "Launch Project"

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2.1: Media | Introduction

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2.2: Media | Capturing

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2.3: Media | Importing

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2.4: Media | Batch Importing

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2.5: Media | AMA

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2.6: Media | Media Management

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2.7: Media | Consolidating and Transcoding

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2.8: Media | Email Notifications

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2.9: Media | Avid Marketplace

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3.1: Editing | Introduction

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3.2: Editing | View and Mark Footage

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3.3: Editing | Creating and Editing Sequences

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3.4: Editing | Timeline Overview

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3.5: Editing | Editing in the Timeline

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3.6: Editing | Multicam Editing

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3.7: Editing | Working with Trim Edits

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3.8: Editing | Using Find

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3.9: Editing | PhraseFind

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3.10: Editing | ScriptSync

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4.1: Customization | Introduction

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4.2: Customization | Settings List

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4.3: Customization | Other Settings

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4.4: Customization | Understanding Buttons

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4.5: Customization | Mapping Buttons

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4.6: Customization | Customizing the Mouse

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4.7: Customization | Workspaces

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5.1: Audio | Introduction

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5.2: Audio | Audio Tools

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5.3: Audio | Audio in the Timeline

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5.4: Audio | Surround Sound

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6.1: Effects | Introduction

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6.2: Effects | Effects Concepts

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6.3: Effects | Applying Effects

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6.4: Effects | Customizing Effects

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6.5: Effects | Working with Keyframes

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6.6: Effects | Plugin Effects

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6.7: Effects | Motion Effects

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6.8: Effects | Layered and Nested Effects

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6.9: Effects | Reformatting and Pan and Scan

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6.10: Effects | Promoting Effects to 3D

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6.11: Effects | Intraframe Editing

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6.12: Effects | Stabilizing

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6.13: Effects | The Title Tool

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6.14: Effects | Marquee

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6.15: Effects | Keying

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7.1: Color Correction | Introduction

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7.2: Color Correction | Color Correction Interface

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7.3: Color Correction | Color Correcting

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8.1: Symphony Color Correction | Introduction

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8.2: Symphony Color Correction | Relational Color Correction

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8.3: Symphony Color Correction | HSL Tab

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8.4: Symphony Color Correction | Channels Tab

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8.5: Symphony Color Correction | Levels Tab

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8.6: Symphony Color Correction | Secondaries Tab

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9.1: Output | Introduction

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9.2: Output | Exporting Frames, Clips and Sequences

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9.3: Output | Tape Layoff

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9.4: Output | Conforming and Transferring Projects

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Course Conclusion

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Sponsor Chapter | AJA

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Sponsor Chapter | Ensemble Designs' Bright Eye 72 Setup

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Sponsor Chapter | NVIDIA

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Sponsor Chapter | Tektronix WFM 5200: Customizing

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Sponsor Chapter | Tektronix WFM 5200: Benefits

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Sponsor Chapter | Tektronix WFM 5200: Creating Presets

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Sponsor Chapter | Tektronix WFM 5200: Capture & Overlay

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Sponsor Chapter | Tektronix WFM 5200: Gamut Displays

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Introduction

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1.1: Media Management

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1.2: Modality

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1.3: Importing the Project Media

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2.1: Starting a Project

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2.2: Interface Overview

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2.3: Intro to User Settings

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2.4: Overview of Settings

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2.5: Keyboard Settings

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2.6: Working with Bins

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2.7: Assembling Shots in a Sequence

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2.8: Working with the Timeline

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2.9: Exploring Timeline Options

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3.1: Ingesting File-Based Media Using AMA

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3.2: Standard Importing

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3.3: Capturing from Tape

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4.1: Trimming Basics

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4.2: Dynamic Trim Techniques

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4.3: Slip and Slide

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4.4: Using Fit-to-Fill

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4.5: Creating Subclips

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4.6: Nesting Sequences

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4.7: Using Locators to Edit

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5.1: Level and Pan Adjustments

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5.2: Audio Tool

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5.3: EQ Tool

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5.4: Audio Plug-ins and Filters

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6.1: Workspaces and Toolsets

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6.2: Import and Export Settings

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7.1: Effects Mode

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7.2: Adding and Removing Effects

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7.3: Saving Effects

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7.4: Effects Parameters

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7.5: Adding Effects on Filler

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7.6: Nesting

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7.7: Rendering

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8.1: Timewarp Effects

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8.2: Stabilizing Shots

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8.3: Intraframe Effects

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8.4: Third-Party Plug-Ins

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9.1: Interface

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9.2: Automatic Color Correction

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9.3: Color Correcting with Hue Offset Wheels

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9.4: Color Correcting with Curves and Sliders

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9.5: Keyframing Color Correction

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10.1: The Digital Cut Tool

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10.2: File-Based Delivery

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10.3: Avid DVD by Sonic®

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10.4: Sorenson Squeeze

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11.1: The Media Tool

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11.2: Consolidate, Transcode and Decompose

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11.3: Attic-Backups

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12.1: Unique Features of Media Composer®

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12.2: Comparing Features

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13.1: Multicam Editing

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13.2: Multicam Demonstration

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13.3: Fine Tuning the Edit

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14.1: ScriptSync®

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14.2: Editing from a Lined Script

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Conclusion

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